I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.

Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.

And I don't mean that the storytelling that's out there shouldn't be happening. I just feel like that there's this huge imbalance with it all. Where are the shows that allow the entire family to sit down and enjoy something together?

Usually it's just material that resonates with me and I never know exactly what that's gonna be. And there's obviously a certain persuasion, if you will. It's dependent upon the fact that I'm known for certain genres. So, that influences my decision making as well. I mean I'd love to, for example, do an action thriller but there are a lot of very talented people doing that and so it would be very difficult for me to switch over to that genre. So, I do look for things that I know (will resonate with) my audience.

Well, part of it is the general fascination with the Amish. It's an extremely popular genre and Beverly Lewis just happens to have the market cornered. She is the bestselling author in this genre. We had actually optioned another one of her Amish books, The Redemption of Sarah Cain. We retitled it Saving Sarah Cain and it did extremely well for Lifetime so we pursued more of her novels.

I just gravitated toward (working behind the scenes by) growing up on the different sets and watching my father and other people in their different capacities...When I was 13 years old, I asked for a Super 8 camera.