I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.

For me, I want to tell stories that will affect my children in a positive way, that they can be proud of me for working on and doing. I want to be alight in the world. There's enough darkness.

And I don't mean that the storytelling that's out there shouldn't be happening. I just feel like that there's this huge imbalance with it all. Where are the shows that allow the entire family to sit down and enjoy something together?

Entertainment and art have power. Our culture is molded more so by entertainment than any other influence.

We're all being segregated or sent to our different rooms to watch television that's geared only for adults, to be honest. There's very little fare - outside of cartoons and a few things for children (and) I guess (some reality shows like) The Voice - that can be watched by the entire family.

I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.