The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
Michael LightFlying was certainly formative for me; I have a deep and lasting ease with it as a result.
Michael LightI realized that if I wanted to truly talk about vastness and the sublime and scale and the West - recurrent themes in my overall work - I needed to engage with the vast ocean that is Los Angeles.
Michael LightWhat better way to actually deal with L.A. than to get above it and engage with the horizontality and scale of the basin itself?
Michael Light