I'm attracted to the garden, without a doubt, but I always try and image the wolf that's there, too. And that wolf would be us. It's not that we're malevolent or evil - we're marvelous, fantastic, tool-bearing beings and capable of so much - but there are so many of us, and we don't tend to take responsibility for what we do.

I am a photographer who likes to make images, but I also want to get a sense and understanding of images that have already been made. I don't fabricate worlds; I pay attention to the things that already surround us.

I take pleasure in working with the non-art photographs that reside in public archives, essentially authorless and owned by the world itself, because I find the world of fine art photography to be pretty silly and pretentious.

I struggle against photography. I struggle against the fact that it is silent, that it is just a piece of paper on the wall, often presented in a tedious white matt frame.

I come at a subject from a profoundly photographic level. I am not interested in pictures that ultimately don't work as pictures.

What better way to actually deal with L.A. than to get above it and engage with the horizontality and scale of the basin itself?

I've always been amazed at the vastness of America itself and what it does and how it does it. I'm interested in the mechanics of what makes this country happen, the power structures, the natural splendor.