I personally have more faith than the average writer in people's willingness to be complicated, and so I'm thrilled by what's happened. I'm elated at audiences' willingness to handle complexity. In some sense, I feel like my belief in what people are capable of is being validated.

The beauty behind killing someone who no one thinks you're willing to kill is, of course, that you throw people out of their comfort zone. And that's good because you want people to be on the edge of their seats.

To be fair to ourselves, in almost every original script, the timing is actually worked out down to the minute.

Ultimately people don't watch shows because of how realistic they are. They watch them because of the same dramatic elements that have always made stories interesting. And fundamentally if those elements don't work, no amount of reality is going to be enough to keep people watching a show.

I personally have more faith than the average writer in people's willingness to be complicated, and so I'm thrilled by what's happened. I'm elated at audiences' willingness to handle complexity. In some sense, I feel like my belief in what people are capable of is being validated.

I think ultimately what makes the show is not the reality but the drama.

You know, it's hard as a writer to lose characters (and actors) you like. You really don't want them to die because you're not going to get to see them anymore.