I work hard to make the poems as good as they can be, and if they're not good enough I scrap them. I find it difficult after a gap of a few years to tinker - I'm more likely to destroy.

I don't know where the shape of a poem comes from. I certainly don't impose it. I write out of a jumble of emotions and vague notions and scraps of knowledge. At some stage a form or, rather, a shape mysteriously emerges.

Every Monday morning I try to remember to say "Thank you, Lord. I'm not at the Senior Staff Meeting."

The gap between verse and poetry is enormous. Between good poetry and good prose the gap is much narrower

When I'm assembling a book I concentrate as though I were writing a poem. A truly imagined arrangement will indicate gaps and generate new poems. I re-read the new poems in my folder in the hope that this might happen.

I would insist that poetry is a normal human activity and its proper concern all the things that happen to people.

I do feel that a poem needs not just space, but, ideally, space around that space - space for meditation, reverie, subliminal link-ups. I sense that poetry happens at a level above or below intelligence. It doesn't come into being at a purely rational level.