Genuinely good people are like that. The sun shines out of them. They warm you right through.

Our great problem, is that children now know whatever they want to know - at the press of a button they can discover all horrors of the adult world. They know very early on that the world is sometimes a very dark, difficult and complex place, and the literature they read must reflect that. Otherwise we're just entertaining them to pass the time.

It's what I'll be singing in the morning. It won't be God Save the Ruddy King or All Things bleeding Bright and Beautiful. It'll be Orange and Lemons for Big Joe, for all of us.

I don't want to be separate from something that's important to me.

Theatre can transform a child's life, just as an early cultural experience whether with opera, ballet, music or art is a wonderful thing because it opens the door to a life-long experience, a life-long enjoyment.

I spend months, sometimes years, doing what I call dreamtime, weaving it together inside my head. But when I actually feel that the egg of my story is ready to hatch, then I can write it in three months. Then I know the landscape and the people well and from the inside, but I don't necessarily know where the story is going to take us.

Like most writers, I sit in a room and scribble a story and you don't have a connection with the people who take your story, whether it be to the stage or to the screen.