What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by a familiar rhetoric. Those who already have power continue to glide along the familiar rut they have made for themselves.
Michael OndaatjeI believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocentlyโฆbut all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.
Michael OndaatjeThat's one of the great sadnesses of any life - knowing what you know now and then remembering what you did not know then.
Michael Ondaatjewhen someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.
Michael OndaatjeI often need a limited space. It's like having a house to roam around in and reinvent and have things to happen in, kind of like a French farce. Doors opening, doors closing, new people arriving, and disappearing, and so forth.
Michael OndaatjeSometimes when she is able to spend the night with him they are wakened by the three minarets of the city beginning their prayers before dawn. He walks with her through the indigo markets that lie between South Cairo and her home. The beautiful songs of faith enter the air like arrows, one minaret answering another, as if passing on a rumor of the two of them as they walk through the cold morning air, the smell of charcoal and hemp already making the air profound. Sinners in a holy city.
Michael Ondaatje