I was really impressed with Naomi [Watts]. She was a producer, and she was doing things that I wasn't really aware of. The way she was able to switch from handling problems to shoot a really difficult scene, I think is a real testament to her true ability.

From where I started to where I'm at right now I'm loaded in retrospect to the opportunities that I have. As far as money and the scheme of the world, I don't cash in. I do films because I'm sensitive and maybe stupid, and that I feel like I'm going to have fun on and feel like I'm going to have a good experience with. It's not about punching in and selling soap.

I'm really, really blessed. Not only am I blessed to have found that I love making films, but I'm also insanely blessed to be able to do it. I have to remind myself that when I'm complaining.

I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.

I've worked with a lot great directors who have huge resumes, but I'm really trying to be active in my career in supporting the new generation of cinema. I like taking some time to try to support and be a part of that.

I was about to move out of my apartment because I was so broke. I'd sort of made a pact with myself that I wouldn't take a job unless it was interesting to me, and I became broke very fast.

I'm always trying to work on scripts. I'm pretty selective. Sometimes maybe too much because I'm broke .