I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

Everybodys constantly being destroyed and rebuilding themselves, some more drastically than others.

When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.

I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.

There are so many people who make their fortunes of the misfortunes of others. I don't know if it's because the world is too damn crowded, or what, but it's something that I've been noticing for awhile.

I'll tell you what's funny about it [NSA wiretapping]: They tell us we got to cut the budget; we have to have budget rollback. We're going to cut the budget on air traffic control, and every once in a while your plane is going to be delayed for three hours. But we do have the money laying around to hire people to read your emails and listen to your phone conversations. That just doesn't make any friggin' sense at all.

I like to play characters that get to do it all - to have a bit of comedy here and a bit of pathos here and a bit of suspense here, that's what's fun.