This whole notion of the acting career as a monopoly where you rise to power... it doesn't really work that way. I don't ever really feel powerful in any way. It's kind of the same thing it's always been: You just figure out what you want to do and you do it.

There's nothing routine about 'Boardwalk Empire.' It's like being in some secret society where they call you up and tell you where to go: 'Meet us at the corner of such and so.'

Humility in this business [acting] isn't just a matter of being polite, it's kind of a matter of survival. You can't ever afford to think that you're the bee's knees, because you could always afford to be better. You have to always be searching for something better.

One of the great things about acting is you can do things that in real life would get you in trouble. I think that's something I figured out pretty early on.

Plenty of people are onto the emptiness but it takes real guts to see the hopelessness.

What should really be happening is a revolution. The system should be torn apart by the people and banks shouldn't be allowed to do what they do, and giant corporations shouldn't be allowed to run the world to the ground the way they're doing. But that's not happening for whatever reason.

Most of the time for movies and stuff, with the exception of Jeff Nichols, who I've worked with a few times, you just don't know people too well. Everyone is cordial and nice and some people are very genuinely friendly, but once the movie is over you never see them again.