It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.

When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.

If you don't believe there's some organising principle, or somebody up in the sky pulling the strings, then it can be very stressful. And nature itself is very arbitrary - it's not malevolent or benevolent; it doesn't even know we're here.

I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.

My dad used to say, 'You have to become part of the machine to beat the machine,' and there's some validity in it. But honestly, even when I'm inside the machine, you still see me. I stick out a little bit.

People don't go to the movies to get the news, people don't go to the movies to learn a lesson. People go to the movie to get an emotional experience.

I certainly don't want to have too many pre-conceived notions before I show up because then you might be cutting yourself off from the real lessons of what is going on.