It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.

If I were God, I would just be up there scratching my head, thinking, 'What the hell am I supposed to do with this?' For everyone helping an old lady across the street, there's someone else bludgeoning a person to death. And sometimes they're the same. How can He separate us all out?

What should really be happening is a revolution. The system should be torn apart by the people and banks shouldn't be allowed to do what they do, and giant corporations shouldn't be allowed to run the world to the ground the way they're doing. But that's not happening for whatever reason.

It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.

I think improv training really orients you to character development, more than taking a Strasberg class or Meisner class. Not only is it about developing character really quickly, but it's also about being a good partner in the scene.

Well, I think anybody who's had a baby can tell you that once you have a baby, they kind of become the main focus. I don't think there's gonna be a lot of room for anything else.

It's always very daunting to play someone who actually existed. You have to honor that, and be specific and accurate and try to make people believe that you're that guy, which is really hard.