One thing I'm a big fan of is the theater of the absurd. That's what I come from, that's what I love to do more than anything. What I love about absurdity is the words "comedy" and "drama" get thrown out the window and it's just life, which is absurd.

I enjoyed living in Chicago and doing plays for little or no money. I never actually thought that I would leave Chicago, originally. I wasn't one of those people that had a plan to pack up the van and drive out to Hollywood. I didn't want to.

Humility in this business [acting] isn't just a matter of being polite, it's kind of a matter of survival. You can't ever afford to think that you're the bee's knees, because you could always afford to be better. You have to always be searching for something better.

Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.

If you are only getting two takes and you are on a crazy set where there is a lot of noise and distractions and it is hard to focus - that is frustrating. But I don't mind two takes if there is a healthy respect with the work going on with the actors.

Most of the time for movies and stuff, with the exception of Jeff Nichols, who I've worked with a few times, you just don't know people too well. Everyone is cordial and nice and some people are very genuinely friendly, but once the movie is over you never see them again.

I've always been happy just to be working. It doesn't really matter for me how many people are familiar with my name or my picture, or whatever.