Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.

If you give me enough time, enough leash, I can become pretty reasonable.

Most of the time for movies and stuff, with the exception of Jeff Nichols, who I've worked with a few times, you just don't know people too well. Everyone is cordial and nice and some people are very genuinely friendly, but once the movie is over you never see them again.

One thing I'm a big fan of is the theater of the absurd. That's what I come from, that's what I love to do more than anything. What I love about absurdity is the words "comedy" and "drama" get thrown out the window and it's just life, which is absurd.

I'll tell you what's funny about it [NSA wiretapping]: They tell us we got to cut the budget; we have to have budget rollback. We're going to cut the budget on air traffic control, and every once in a while your plane is going to be delayed for three hours. But we do have the money laying around to hire people to read your emails and listen to your phone conversations. That just doesn't make any friggin' sense at all.

That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.

I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.