These things - the degree of vulnerability, the degree of skill, the degree of the longing to give - are influx all the time, And to lump all that under the word "creativity" assumes something much more static than it is. That's why an artist may be marvelous in her 20s, and be creating automatic crap in her 40s. A writer may be trivial in his 20s, and be writing incredibly in his 50s, because those things are always in flux.

The value of having an inner map of the world as it is (not as it's broadcast) is this: it allows you to know that your task is larger than yourself. If you choose, just by virtue of being a decent person, you are entrusted with passing on something of value through a dark, crazy time-preserving your integrity, in your way, by your acts and your very breathing for those who will build again when this chaos exhausts itself.

People are judged continuously everywhere on the most intimate level by the prices on their head. Most of them accept the judgment. It's very hard to have self-respect, or to maintain a state of creativity under these conditions.

The element of obsession is terribly important for an artist.

There are writers I know and respect who are very good about what's outside, and not too hot about what's inside.

The world of psychology and the world of normal life tends to look down on obsession. It's not good for you, and certainly not good for your relationships. It's not good for a lot of things, but it's the only way to make a work of art.

Our choices are truncated in evil's presence.