I try to write into the heart of experience. Then, through the experience of the writing, that heart reveals itself to me. To write it down for others, as a door to go through it they choose, is the price of the experience, the price of the ticket. This is the demand that God, if you like, puts on you for being an artist.

Be careful how you choose your enemy, for you will come to resemble him. The moment you adapt your enemy's methods your enemy has won. The rest is suffering and historical opera.

These things - the degree of vulnerability, the degree of skill, the degree of the longing to give - are influx all the time, And to lump all that under the word "creativity" assumes something much more static than it is. That's why an artist may be marvelous in her 20s, and be creating automatic crap in her 40s. A writer may be trivial in his 20s, and be writing incredibly in his 50s, because those things are always in flux.

I require and enforce as non-interrupted a state of living as you can get in America right now without going off to live by yourself in the mountains.

Courage can't make you an artist, but without that courage, you won't remain one for long. First is the courage to be alone in the room where you create, and the courage to face that indefinitely, with no one to say if you are any good or not. Then, there is the courage to follow your work wherever it's going to take you. And the courage to fight for your work.

If I had the money and the drinking capacity, I'd probably live at a roulette table and let my life go to hell.

Our choices are truncated in evil's presence.