I think it would be impossible if you had a name like mine not to get a little flack for it.

If you make a film set in London or in Pakistan or wherever, the thing that interests me is the relationships between individuals - individuals and society, individuals and their family, their girlfriend or boyfriend, it's all the same idea.

From my experience working with comedians, there is that competitive aspect. With actors, for instance, they don't want to look competitive even if they are, whereas comedians, I think, are openly happy to play on the idea that they all compete with each other to get the laughs. There's something about comedy, I think, that encourages that. There's this kind of schoolboy sense of wanting to top the other person that we play off of to show them competing for who's smarter or cleverer.

I still enjoy watching films more than making them.

I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.

There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.

When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.