Animals are also the ones that are guarding the graves, and they are the ones who communicate between the dead and the alive.

There's something about night and day, and life and death, but animals are also mentioned a lot of times in the bible, showing up in places of desolation, or after destruction, or after the humans left the place, suddenly they would show up.

I decided to go to the night, myself, and started to go out to the fields, where I would encounter things that I cannot see very well, that I cannot detect very well, and to put myself in a position where I'm going to be suspected as a being entering a territory of other beings, and I'm also going to suspect them. I have to be very alert, and they are going to be very alert - this kind of position I felt was very much what is going on in the world for me.

Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.

I carry some kind of consideration and weight and observations about what is going on in the world, but I don't go to execute it.

I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.

I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.