Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.

Animals are always goddesses and gods, like the god Anubis. He's the one who's accompanying the souls to the next life, and he's the one who decides if they will be able to cross or not.

I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

Animals are also the ones that are guarding the graves, and they are the ones who communicate between the dead and the alive.

There's this progress, incredible progress of technology, everything is figured out, everything is known, everything is systematic and under control, communication is going on, but still there is such a great portion of life that we have utterly no control over. It's completely chaotic. Something could happen overnight.

We are very concerned all the time with figuring out new technologies and advances in science, but really [while] our future is dependent on science and progress, it's not less dependent on the way we treat each other.

That's what animals do all of the time; they watch out, they watch out, and I saw, "This is us now." Us, the world, we are watching out.