I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

You can feel that something terrible is going on in another place in the world, and it's the other, it's not you. It's always there, it's them. But this them is also you.

You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.

Animals are always goddesses and gods, like the god Anubis. He's the one who's accompanying the souls to the next life, and he's the one who decides if they will be able to cross or not.

I go back to [the idea] that we are avoiding all of these unknowns, we're avoiding the night - most of us - we're avoiding the encounters, but we're also afraid to deal with something unknown, unseen.

The night is there, we're trying to ignore the night, the night was always there as children.

I think that the world is in a very serious decline - very, very serious.