I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.

I think that the world is in a very serious decline - very, very serious.

I carry some kind of consideration and weight and observations about what is going on in the world, but I don't go to execute it.

That's what animals do all of the time; they watch out, they watch out, and I saw, "This is us now." Us, the world, we are watching out.

You can feel that something terrible is going on in another place in the world, and it's the other, it's not you. It's always there, it's them. But this them is also you.

I go back to [the idea] that we are avoiding all of these unknowns, we're avoiding the night - most of us - we're avoiding the encounters, but we're also afraid to deal with something unknown, unseen.