I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

We're always trying to avoid being in the darkness, not knowing, and also encountering animals. There's something about them not wanting to be seen; they go out at night, they hide, they don't want to be shown. It's very interesting genetically that they have to hide from us actually. Between themselves, they smell each other, but there is this thing of hiding, of suspicion.

We're progressing on a lot of fronts, but on the aspect of your responsibility - just the very basics of how we treat each other - before we learn mathematics and computers and science in school, and languages and all of this, the basis of it: What is it to be a human? What responsibility do you have?

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.

That's what animals do all of the time; they watch out, they watch out, and I saw, "This is us now." Us, the world, we are watching out.

You can feel that something terrible is going on in another place in the world, and it's the other, it's not you. It's always there, it's them. But this them is also you.

I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.