I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.

You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.

We see everything, we see what's going on in Syria, we see what's going on with the refugees. What can you do about it? And we have to do something.

Animals are also the ones that are guarding the graves, and they are the ones who communicate between the dead and the alive.

I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.

I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.