You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.

Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.

I decided to go to the night, myself, and started to go out to the fields, where I would encounter things that I cannot see very well, that I cannot detect very well, and to put myself in a position where I'm going to be suspected as a being entering a territory of other beings, and I'm also going to suspect them. I have to be very alert, and they are going to be very alert - this kind of position I felt was very much what is going on in the world for me.

Animals are always goddesses and gods, like the god Anubis. He's the one who's accompanying the souls to the next life, and he's the one who decides if they will be able to cross or not.

You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.

We're always trying to avoid being in the darkness, not knowing, and also encountering animals. There's something about them not wanting to be seen; they go out at night, they hide, they don't want to be shown. It's very interesting genetically that they have to hide from us actually. Between themselves, they smell each other, but there is this thing of hiding, of suspicion.

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.