I want to see abstract art move. Especially in the '30s, you had animators doing innovative work, and I was entranced by that. It's basically what you see when you close your eyes, when you fall asleep.

The problem is when you get forced to use ideas that aren't good. When I can filter the ideas and use the best of them, I am happy to collaborate.

I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.

When people are very original, sometimes they are original as a way to resist the mainstream.

I think always my interest in making movies is to have something really technical mixed with something that was not so formal...something free.

Competition impedes creativity because you present yourself in a way that's going to been seen by somebody outside of you. You're not very much yourself and it limits you.

I find it particularly shocking that people work all week long, and then on the weekend they give their money to another big corporation. I remember reading an interview with Walt Disney, and he said how he got the idea to create Disney World. He saw his grandson playing in the sand in a little park, and he assumed he was bored. And he said he could provide him a better alternative. But what you get is a little bit of entertainment, and then basically they try to get your money. And I truly believe his grandson was having a great time when he was playing with the sand.