For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

I'm a sorcerer because I start with nothing, and then, eventually, there is something. And I touch you, I move you, I make you laugh or cry, and you believe in what's happening on the screen, although I always show it's invented.

I think that stereoscopic 3D will have to continue to develop. It's still quite archaic because of the glasses you have to wear.

I lost so much energy in taxis, planes, hotels, phone calls and interpreters. Now, with the help from my little successes, I do everything in the same place with everyone around me. That's how a good job gets done.

I like to make people happy, and with fairy tales, I can say anything I want to, but in an agreeable way.

I do my films the best as I can, period. I always hope that, gradually, my honest work will reach Americans.

If I need something, I just draw it, have a few friends make it move, and it exists. I enjoy this strange power. I try to be a good sorcerer, though.