Take Einstein; wasn't he looking for something stable and changeless in this enormous, constantly changing melting pot that is the universe? He sought fixed rules. Today, instead, it would be helpful to find all those rules that show how and why the universe is not fixed - how this dynamism develops and acts. Then maybe we will be able to explain many things, perhaps even art, because the old instruments of judgment, the old aesthetics, are no longer of any use to us - so much so that we no longer know what's beautiful and what isn't.

A director is a man, therefore he has ideas; he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.

All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.

We live in a society that compels us to go on using these concepts, and we no longer know what they mean.

The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.

The way I relax, what I like doing most, is watching. That's why I like traveling, to have new things before my eyes - even a new face. I enjoy myself like that and can stay for hours, looking at things, people, scenery.

Often to understand, we have to look into emptiness.