I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.

The script is simply a series of notes for the film.

I don't know whether I am ever bored. I never look at myself.

Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.

You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.

A man who renounces something is also a man who believes in something.

I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely.