I don't know whether I am ever bored. I never look at myself.

The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.

After you've learned two or three basic rules of cinema grammar, you can do what you like - including breaking those rules.

I can't imagine love without a sexual charge.

One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.

You can't go to an LSD or pot party unless you take it yourself. If I want to go, I must take drugs myself.

When I see a good film, it's like a whiplash. I run away, in order not to be influenced. Thus, the films I liked most are those I think least about.