I have made on occasion posters and things like that for political reasons but not my work.

I have lots of objects. Every object has a story, which makes me think I should write a story about every object.

There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.

Mexico doesn't seem alien to Californians.

I veer more toward the philosophical and the poetic than I do toward the alert and angry.

I have found, and most artists are probably this way, that [when] you're working on some kind of idea, the idea makes demands.