I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.

Very early on I was interested in doing political art, but it was not feminist political art.

I have found, and most artists are probably this way, that [when] you're working on some kind of idea, the idea makes demands.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.

There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

Flying used to be so great but now it's more of a trial.

I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.