I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.

I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.

Very early on I was interested in doing political art, but it was not feminist political art.

I veer more toward the philosophical and the poetic than I do toward the alert and angry.

Fortunately, when we have all our marbles, we can shift our memories very quickly.

There was a great sense of community mainly among the women artists at the time because we felt left out. I still know most of the women that I knew then, the ones that are still alive.

Flying used to be so great but now it's more of a trial.