In general I'm more attached to a cinema that tries not to replicate the real world and life.

I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.

I have the opportunity to make my films and I think that's a luxury. I don't have any problems by filming things that can have a connection with left-wing policy, even if we have a right-wing government. There are some countries which cannot say the same, so I'm lucky.

I would not like to have a homogeneous type of film. I wanted to go to many different kinds of ways of making cinema and telling stories and watching the country.

They say films they are made by computers. There are computer programs to see statistically what people are more interested in, and they practice computer combinations in these things to try to have more viewers.

I think that I prefer to shoot characters even if they are not good people. I don't think that cinema is a place where you can do sentences like in a court.

Europeans used to be proud to be the advanced form of democracy. Now they're definitely a little bit ashamed because we are seeing that finally, the bond that we had, it was money.