My job is just to make the films and then I don't have any strategy.

I would not like to have a homogeneous type of film. I wanted to go to many different kinds of ways of making cinema and telling stories and watching the country.

In general I'm more attached to a cinema that tries not to replicate the real world and life.

Europeans used to be proud to be the advanced form of democracy. Now they're definitely a little bit ashamed because we are seeing that finally, the bond that we had, it was money.

I have the opportunity to make my films and I think that's a luxury. I don't have any problems by filming things that can have a connection with left-wing policy, even if we have a right-wing government. There are some countries which cannot say the same, so I'm lucky.

I would not describe myself as a left-wing filmmaker. I don't think this is the first thing that would pop into my mind when talking about my work.

I think that there's a very lucid side in cinema: entering a theater and seeing the film.