I'm pretty relaxed on what people should be able to do as long as they're not hurting anybody else.

Love, for me, is always wanting the best for the other person even if it's not what's best for you.

When you're casting, you get a page or two - just enough to do the scene. Now that you're in the world, you get the whole script.

Sometimes you meet someone at an inopportune moment and it doesn't work out, but then you see them again five years later and you're in different places and it's a better time.

When I find material that gives me a natural yet unique character point of view and has well - developed characters throughout the script, it makes the hairs on my arm stand up.

I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.

This show [Jessica Jones] was exploring the aftermath, and that is unique. You're sitting there going, "I know what happens. This is the aftermath." You watch her daily life and how she dealt with people, like new prospects for love or friends that were close to her, but she didn't know if she could trust them or if they were enemies.