I like to work my camera as if it were a musical instrument.

There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there.

I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.

When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.

One of the things I love about cinema is the range.

But I don't have such a strong desire to need to get away from filmmaking.

Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.