No doubt you are as alarmed as I by the tragic decline in America's language skills. If 10 people read the following sentence: Two tanker trucks has just overturned in Alaska, spilling a totel of 10,000 gallons of beer onto a highway. two would find an error in subject-verb agreement, two would find an error in spelling, and six would find a sponge and drive north.

It's not a filmmaker's job to explain his technique but to tell his story the best way he can.

That seems to me the greatest American danger we're all in, that we'll bargain away the experience of being alive for the appearance of it.

No doubt you are as alarmed as I by the tragic decline in America's language skills. If 10 people read the following sentence: Two tanker trucks has just overturned in Alaska, spilling a totel of 10,000 gallons of beer onto a highway. two would find an error in subject-verb agreement, two would find an error in spelling, and six would find a sponge and drive north.

All the theories that acting is reacting to imaginary circumstances as though they are real, and directing is turning psychology into behavior, those are all stabs at something that can't be taught. All the great actors can't talk about what they do, and they don't want to begin to talk about it. They just do it.

If you want to be a legend, God help you, it's so easy. You just do one thing. You can be the master of suspense, say. But if you want to be as invisible as is practical, then it's fun to do a lot of different things.

It's the hardest thing on earth to like yourself, and then when you do, it's a catastrophe. I mean, the people I know who like themselves - I don't want to see them!