I live in the past when it comes to movies, but my own career is a matter of remembering the nuts and bolts and things like eating chocolate cake and drinking milk with Jack [Kirby] in his kitchen, but that's all I remember.

People ask me who my favorite inker is and I tell them my favorite inker was Joe Sinnott...but I was the best. Now I don't mean that as any kind of egotistical thing. It's just that I did what Jack wanted.

Every morning I'd have coffee with my wife and we would discuss ideas. Sixty percent of what I did for the stores was concepts. The other forty percent was correcting and cleaning up other concepts in house, or doing final art on my concepts. Most of my concepts were so finished they could turn them over to somebody else.

When you're paid $29 for something and 30 or 40 years later you're seeing it on eBay with pages going for $199 or more, it's like, "Dammit!"

It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.

My most vivid memories of those times weren't the actual nuts and bolts, but just pleasant times sitting with Jack [Kirby] in his studio, going over the pages and looking out the window at my kids playing in his swimming pool .

If you ever go to talk to an editor you don't want to be able to turn down a job because you can't do what is necessary.