The novel is a meditation on existence as seen through the medium of imaginary characters.

The river flowed from century to century, and human affairs play themselves out on its banks. Play themselves out to be forgotten the next day, while the river flows on.

Remembering now all those farewells (fake farewells, worked-up farewells), Irena thinks: a person who messes up her goodbyes shouldn’t expect much from her re-unions.

The rediscovered path, where were left the traces of childhood's lost steps.

Isn't beer the holy libation of sincerity? The potion that dispels all hypocrisy, any charade of fine manners? The drink that does nothing worse than incite its fans to urinate in all innocence, to gain weight in all frankness?

When she is older she will see in these resemblances a regrettable uniformity among individuals (they all stop at the same spots to kiss, have the same tastes in clothing, flatter a woman with the same metaphor) and a tedious monotony among events (they are all just an endless repetition of the same one); but in her adolescence she welcomes these coincidences as miraculous and she is avid to decipher their meanings.

Necessity knows no magic formulae-they are all left to chance. If a love is to be unforgettable, fortuities must immediately start fluttering down to it like birds to Francis of Assisi's shoulders.