That's the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.

I usually write from the rhythm section...If a drummer got a funky beat on some things - like a half-shuffle or a shuffle or a backbeat that's even - I can write something.

I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.

In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.

Lionel [Richie] said, "Yeah, I learned chords and stuff playin' against your albums."

Jazz is the big brother of Revolution. Revolution follows it around.

So What or Kind of Blue were done in that era, the right hour, the right day. It's over; it's on the record.