Part of 'Beyond The Music' is also the notion that no matter what came of us, or the band, the most important thing for us ended up being the friendships.

The most visceral expression of emotion in music.

I tend to be the one that breaks the mold most often, and thus, I tend to be the one with a lot of outtakes, songs that don't make the record.

I think my science career had an arc to it that peaked in, let's say 2003/2004. I was in hog heaven, working in a corporation, getting paid pretty good money and doing really exciting research. And we had just done the Cool To Be You record, and I said well, we'll put this record out, but I can't tour it because I just want to do science. That's my gig, my future.

There's something wrong with the system when you've got someone who can provide so much to a company and can be enthusiastic, but isn't management material or whatever. So a lot of that just gets defined as the person who speaks with the loudest voice and gets up there with the most arrogance and overly confident, chest-beating approach. Those are the ones that are going to get the golden ring.

One thing that really attracted me to punk was the DIY aspect. And the fact that, since I was a nerd, I was like 'you mean nerds can belong to this little society? So all of these things went into my attraction to it.

I want to be stereotyped. I want to be classified. I want to be a clone. I want to be masochistic. I want to be sadistic. I want a Suburban Home. I don't want no hipppie pad; I want a house just like Mom and Dad.