The older I get, the easier it is to just be present in the moment, and understand what a man is going through.

The older I get, the easier it is to just be present in the moment, and understand what a man is going through.

I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.

For me, what grabs my attention about the project is usually the character immediately and then the story, and then the people that are involved.

I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.

It's [high school] an interesting time in your life because you're trying to act older and mature but you really have no idea what you're doing. You're scared and it's okay to be scared. It's okay to not know completely what you want or what you should be doing and to stumble a little bit.

I used to sit when I was a kid, from 14 or 15 on, with a book or a paper or a magazine in front of a mirror and teach myself to speak with a more straight mouth, so it wasn't so pronounced.