Sarah [Silverman] writes her own jokes. She doesn't just go through her life and talk about everything. She sits down and crafts jokes. Sometimes her inspiration comes from areas of her life that are risqué. But she is an A-plus professional joke-writer in addition to being very attractive and a great performer.

There's obviously instances where I perceive sexism in my job. ... I think that the sort of sexism that I see has been one that's a little bit like a gentler form of sexism, but still a little bit debilitating, which is that when, as a producer and a writer, whether it was at The Office or [at The Mindy Project], if I make a decision, it'll still seem like it's up for debate.

I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented people in comedy were hard-joke writers.

To put it kindly, I am a very talkative, social person. To put it less kindly, I’m a flibbertigibbet, which is what my frenemy Rainn Wilson calls me.

There are many teenage vampire books you could have purchased instead. I'm grateful you made this choice.

I don't think anyone wants to grow up to be Mindy Lahiri, the same way no one wants to grow up to be Michael Scott.But that's OK.

I feel like if I had my personality but was an OB/GYN, you would be psyched. You'd be like, 'My chatty, pop-culture-interested but plainspoken, wants-to-talk-about-clothes but serious-minded doctor.' I feel like I would clean up with patients. That's kind of a cocky thing to say.