I just have my characters say my controversial opinions and then hide behind them.

If I could make a device where people could just intuit everything you are thinking - a little cable you plug into, like, a USB port, I would make a billion dollars.

The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.

As a kid, I always loved serialized books. It’s the reason why people love Harry Potter. Serialization is amazing. It works in television. It works in film and it works in books. Especially when you’re a young kid, you get attached to these characters.

I'm actually an impatient person. I'm very suited for television because with the process, it's six weeks from the time you come up with an episode until when it airs. We can't drag it out that long. With film, and this is not a profound observation or an original one; it can go on endlessly unless the movie's like incredibly topical. That's the challenge for me, as an impatient person who wants see things come to life. ... I mean, it's just this feeling I get when I see a movie I love.

There is no sunrise so beautiful that it is worth waking me up to see it.

I don't mind that if I ever star in movies, they'll likely be mine. That's okay, because my great role models - Woody Allen, even Tyler Perry, who is actually one of my role models, even if that seems kind of strange - they do that themselves. And it's great. They build empires, and they're known as having their own voice. I think it's 20 times more fun to act on a set where I feel the freedom to change the dialogue.