The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.

That's what she said.

I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think.

I'm an actor and a writer and a showrunner and I edit my show. ... I have a job that three people usually have, and I have it in one person. And the idea that the critic thought that I had this excess of time for which I could go to, like, panels or write essays was just so laughable to me.

I'm a smart enough person to know that I don't want everyone to be cookie-cutter versions of the nine guys who wear Converse sneakers.

Don't fall into the trap of thinking about politics in your workplace too much. Just work hard, be cheerful, ignore distractions.

Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.