I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think.

Listen, my body is attracted to your body but when you speak it makes my brain angry.

I love that 'Much Ado About Nothing,' passionate, smart fighting. I love fighting with guys, and that's something that I don't get to see: arguing at a high level with a member of the opposite sex. That didn't really happen that much on 'The Office.' I just like that 'Moonlighting,' Benedick-Beatrice type of thing.

When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.

I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.

I'm so much more confident and sexy at thirty-eight than I ever was when I was eighteen or twenty-four.

The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.