The chorus of “Jack and Diane” is: Oh yeah, life goes on, long after the thrill of living is gone. Are you kidding me? The thrill of living was high school? Come on, Mr. Cougar Mellencamp. Get a life.

I was just this chubby little Indian kid who looked like a nerd. I didn't have a ton of academic skills. It wasn't until I was in high school that I was like, "I guess I like writing dialogue." So that's how I got into it.

I have an underdog spirit in me, and now it feels weird to kind of get my own way more often than not.

My relationship with my mom is really the single most profound relationship that I've ever had in my life.

I have a great job writing for “The Office,” but, really, all television writers do is dream of one day writing movies. I’ll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.

I notice that a little bit at The Office, with, like, an actor: If I decided there'd be a certain way in the script, it would still seem open-ended, whereas ... if I was a man I would not have seen that.

In terms of my Indianness, I try not to rely on it nor deny it. When it comes up organically in my writing, we can address it. About five years ago, we wrote this episode of 'The Office,' called 'Diwali,' which seemed like an organic way of using it.