The photographer projects himself into everything he sees, identifying himself with everything in order to know it and to feel it better.

I'm always mentally photographing everything as practice.

To engage a sequence, we keep in mind the photographs on either side of the one in our eye.

No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.

There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.

One does not photograph something simply for 'what it is', but 'for what else it is.

Let the subject generate its own photographs. Become a camera.