Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.

Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair or triplet of essential images.

There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.

No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.

One does not photograph something simply for 'what it is', but 'for what else it is.

In putting images together I become active, and excitement is of another order - synthesis overshadows analysis.

When gifts are given to me through my camera, I accept them graciously.