To engage a sequence, we keep in mind the photographs on either side of the one in our eye.

All photographs are self-portraits.

When gifts are given to me through my camera, I accept them graciously.

One does not photograph something simply for 'what it is', but 'for what else it is.

Watching the way the current moves a blade of grass - sometimes I've seen that happen and it has just turned me inside out.

The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.

I'm always mentally photographing everything as practice.