One does not photograph something simply for 'what it is', but 'for what else it is.

To engage a sequence, we keep in mind the photographs on either side of the one in our eye.

The camera is first a means of self-discovery and a means of self-growth. The artist has one thing to say - himself.

The development of a love of medium and a responsibility for one's own pictures is an overall goal.

The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.

When you approach something to photograph it, first be still with yourself until the object of your attention affirms your presence. Then don't leave until you have captured its essence.

At first glance a photograph can inform us. At second glance it can reach us.