That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."

Sometimes I feel limited by people's perceptions of what I can and cannot do, or what I do or don't look like.

I have learned to pare down what I do and still be effective and strong in a role.

Now that I've got some films under my belt, I have the courage of my convictions regarding acting. It gives me a leg to stand on.

[My choice about scripts] is just a question of what I fall in love with. You have to use some kind of instinct meter about it. I think I'm getting closer to my instincts now. I don't think there needs to be a plan. I think there needs to be love. I think you need to love what you're doing and then the rest is anybody's guess.

It's the relationships between people that are more important than the sort of far away fantasies of what the good life is, the world of supermodels and Bud ads.

The name game is frustrating. Agents will say, They love you, but they're going to offer it to Julia Roberts first.