I'm not a cinephile. My films don't reference films. I'm more interested in rhythm and feeling.

If you read my short stories, there's a lot of sex in those in all different ways. To me, it's a really good, useful thing to get to have in a story. And in a movie, it's amazing, because you actually get to show things.

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human.

I knew the beginning and the end – I just had to dream up a convincing middle.

After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.

I've always been terrified of getting used to something that is actually killing me-a relationship or a job. But in those cases, you can count on a friend to say something. The Internet is different, because all my friends are in the same relationship.

Some people are uncomfortable with silences. Not me. I’ve never cared much for call and response. Sometimes I will think of something to say and then I ask myself: is it worth it? And it just isn’t.