I never knew I wanted to become a ballerina. I was discovered at the age of 13. I had a love for movement even though I had no exposure to dance other than what I saw in music videos, like hip-hop music videos. But I knew that I loved moving.

What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.

I had no idea what I was walking into, and the years and years of hard work it would take. I felt like an outsider and like it was never going to happen. But even if I would have known, I think I still would have done it. Dancers are perfectionists, and that's what keeps us going and growing.

Everything I was being shown was ABT, so I grew up watching these videos of [Mikhail] Baryshnikov, Gelsey [Kirkland] and Paloma [Herrera]. Paloma and Angel [Corella] were the first people I ever saw dance live.

The best piece of advice that I remember probably on a daily basis is to accept everything about me that is different. That is what makes me special.

I know that most of the time I have to work overtime to do everything that I want to.

Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.