It's really amazing that I was discovered and that I've been given these great opportunities to travel the world and work with amazing artists. I'm very blessed.

I do think that it's a responsibility when there are so few of us as African Americans to kind of get to that place of success in a positive light. We should take a stance and stand for something and use that platform for positivity.

I haven’t come from the typical path or background of someone who would make it to this level as a ballerina. When it came to my childhood-growing up in a single-parent home, often struggling financially-my mother definitely instilled in me and my siblings this strength, this will, to just continue to survive and succeed.

I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.

I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me.

I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.

Without my mentors there is no Misty.